Leveller Tracts vol. 7 (1650-1660)

1650-01-04-Stiff_AgainstExcise_TP516

The uncorrected HTML of volume 7 of the Leveller Tracts (1650-60) is now online at the OLL. There are 42 pamphlets which have a total of 1,055 illegible words and characters which need to be corrected before it will go into the main OLL library. It covers the period of the Commonwealth, the rise of Cromwell’s Protectorate, and the gradual defeat and dispersal of the Leveller movement.

Highlights include more tracts on economic matters (such as taxes and free trade), Sexby’s notorious pamphlet advocating the killing of Cromwell as a tyrant, and the pamphlet by Margaret Fell Fox advocating the right of women to speak in Church:

  • Mary Stiff, The good Womens Cryes against the Excise of all their Commodities (4 January 1650)
  • Anon., The Soap-makers Complaint for the losse of their Trade (24 September 1650)
  • William Walwyn, Walwyns Conceptions; for a Free Trade (May 1652)
  • William Prynne, A Declaration and Protestation against New Taxes (18 October, 1653)
  • James Freize, A Moderate Inspection into the Corruption of the Common Law of England (17 June, 1656)
  • Edward Sexby, Killing, No Murder (21 September, 1657)
  • Margaret Fell Fox, Womens Speaking Justified (c. 1666)

Continue reading

Gustave de Molinari and the Seven Musketeers of French Political Economy

7Musketeers

See the full paper at my main website.

This is part of a book-length “introduction” (300 pp.) I have written to the translation of Molinari’s Les Soirées de la rue Saint-Lazare (1849). It includes a brief biography of Molinari; a discussion of the struggle against protection in France from the 1820s to the late 1840s; the socialist attack on private property and the legitimacy of profit, interest and rent in the 1840s; a brief history of the popularisation of economic theory and the role played by the “conversation” format; Molinari’s and the economists’ activities during the 1848 Revolution; and Molinari’s theory of liberty and the “natural laws” of political economy which he presents in Les Soirées.

Abstract: In Paris in the 1840s there emerged a very special and unique collection of individuals who came together to promote classical liberal and free market thought and to fight socialism and interventionism. I call them “the Seven Musketeers” of French political economy. The term “Musketeer” comes from Gérard Minart’s new biography of Gustave de Molinari (2012) in which he described Frédéric Bastiat, Molinari, and 2 other colleagues (Guillaumin, Coquelin) as “The Four Musketeers”. This is quite appropriate as Dumas’ popular novel came out in 1844 [it was serialised in Le Siècle] and Bastiat, like D’Artagnan, came from the south-west province of Gascony. These economists formed a close band of liberal intellectuals and activists in Paris who were fighting protectionism and socialism not the Protestant enemies of the King of France as the original Musketeers were. My research has revealed that 7 individuals actually fit this description. They are made up of two generations who were key figures in the classical liberal and political economy movement. The 1st were born around 1800 and were in their mid to late 40s in 1848; the 2nd were born around 1820 and were in their late 20s in 1848.

Continue reading

Pablo Picasso’s “Guernica” (1937)

Guernica_800

The Spanish painter Pablo Picasso (1881-1973) painted a mural depicting the bombing of the Basque town of Guernica by the German air force in 1937 during Spanish Civil War. It depicts the victims of war, such as suffering women, children, and a horse. It is perhaps the greatest painting about war ever made as it focuses on the victims and is timeless and universal in its themes.

Continue reading

Waving the Flagg (again)

Flagg_photo-284

James Montgomery Flagg (1877 – 1960) is a good example of how someone who works for peaceful, productive, market activities can get corrupted by the state in wartime. Flagg began work as a magazine and book illustrator before turning to creating wartime propaganda for the US government during World War I. Here is a fairly typical example of the kind of commercial illustration he did for magazines and newspapers before the war:

Continue reading